Saturday after more than two years of a lock-out the office workers and journalists at Le Journal de Montréal voted 64 per cent to accept a compromise settlement. Not a very happy day in the history of journalism.
Photo: Rue Frontenac
Mary Soderstrom's blog
It's always nice when people that you write about like what you write. I'm no musician, and one of the big unknowns about River Music was what musicians might think. In fact, I was so unsure that I went out of my way not to ask musicians I knew what their opinion was.
But to my great delight, the reaction of musicians has been spontaneous and very positive. Here are three:
From pianist Jana Stuart:
"Mary, I just finished River Music. I could not put it down. I related so much to the character of Gloria Murray and the plight of the young pianist. I loved it to pieces. "
From Madeleine Owen, lutist and artistic director, Ensemble La Cigale:
"Gloria, is tough and not always likable and yet, I had to recognize some of her difficult choices as merely typical of what a musician, especially a woman, has to do in order to succeed in the competitive world of music."
And Cléo Palacio-Quintin, flûtiste-compositrice says:
"River Music nous emporte dans le flot d'une vie musicale riche en émotions. Dans un rythme fluide, Mary Soderstrom transcrit avec finesse la passion intime d'une interprète pour sa musique...difficile de poser le livre avant la fin."
"Given this reality, it’s important to have institutions that can act as counterweights to the power of big money. And unions are among the most important of these institutions.
"You don’t have to love unions, you don’t have to believe that their policy positions are always right, to recognize that they’re among the few influential players in our political system representing the interests of middle- and working-class Americans, as opposed to the wealthy. Indeed, if America has become more oligarchic and less democratic over the last 30 years — which it has — that’s to an important extent due to the decline of private-sector unions."
Note to self: keep track of what is happening in Quebec where anti-strikebreaker laws are up for review.
"Money changed everything. Almost overnight, a wave of brilliant dramatists emerged, including Christopher Marlowe, Thomas Kyd, Ben Jonson and Shakespeare. These talents and many comparable and lesser lights had found the opportunity, the conditions and the money to pursue their craft.
"The stark findings of this experiment? As with much else, literary talent often remains undeveloped unless markets reward it."